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ARTIST INTERVIEWS

Artist Spotlight: Rebecca Sipper

9/5/2016

2 Comments

 
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Rebecca and Sweetpea on an adventure.
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One of Rebecca's many drawings and watercolors.
​A Family of Artists
I was born in Georgia, but I spent most of my childhood living up and down the East Coast until I was in high school. My family moved back here when I was a teenager, and I went to high school in North Georgia. 

I come from an artistic family. My mother’s side is very fiber based. We have exquisite hand made quilts from my great, great grandmothers, as well as hand-dyed wool hooked rugs and needlepoint art. Crocheting, knitting, sewing and embroidery run rampant on that side. My maternal great grandmother was an amazing seamstress and also spent part of her 20’s in New York City making hats. That was around 1907 and was rather unique for a little old Georgia girl at that time. My father’s side is very 2D, painterly based. My paternal grandmother painted eyeballs for injured WW2 soldiers. 
I would say that I’ve definitely been an artist since I was born. I spent most of my school age years drawing–specifically in pen and ink, until I was about 25. It wasn’t until I was living in Chicago that I started throwing pottery. I took my first clay class at Lillstreet Art Center. This place definitely changed my career as an artist. Like a lot of people, I had always been interested in clay and throwing. I registered for a beginning wheel class, and the rest was like magic. It was definitely a transformative experience. Lillstreet offers a variety of classes, so I also took Screen Printing on Fibers. I combined the screen printing on fibers with my sewing background, and Retrofied was born. It took over my life within six months of sewing that first bag, and it allowed me to move back home to Georgia.
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Life as an Artist
In 2008, I became a full-time artist. This meant, I was able to move home to be closer to my family. I moved to Savannah in 2010, but I had been driving over here to take clay classes at Cultural Affairs for about a year before I moved here. It was so easy to fit right into Savannah. It is full of amazing artists and has such a fun and vibrant community. Retrofied had taken off, and the ceramics began to take off around 2011. I work on both Retrofied and clay about the same amount of time. As a full-time artist, I’m creating working, putting my work out there, and repeating those steps. I am always working on something new. It never stops.

I make art because of the driving force of creativity. Making useful and beautiful art is so amazing to me. There is something magical about transforming an everyday item, like a mug, into a creative and intimate experience for the user. Cherished items make up a home, so being a part of making those pieces is fascinating to me. 

​It's necessary to always make time to create new work that is important to you. Your customers want to see where your work is headed. As a self employed artist, it is essential to make work that customers want and can afford to buy.
Daily, I try to continue to grow making new work, while still producing favorites like mugs and bowls. I currently own mugs and bowls from Kathy King, Aumie Horie, Brooke Noble, Mitzi Davis, Jessica Broad and Lisa Bradley in my cabinets. My favorite piece is a beautiful, hand carved mug from Kathy King. I drink out of it often! I bought it from her while at a workshop at Arrowmont in Tennessee.

Pricing work depends greatly on the number of hours to create the piece and the cost of materials. That is what determines market value of my work. I sell online and locally in Savannah at Parlour and Gallery 209 and in Asheville, NC, at the Asheville Museum of Art. Typically, I will participate in about two craft fairs per year. Juried shows are also important for so many reasons. Personally, I love participating in local Savannah juried shows because it keeps me active in the craft community, and is a great way to find talented local artists.Typically, I try to participate and apply to three or four Savannah shows per year. 

Savannah is full of so many amazing hard working artists. Galleries live to carry local artists, which is great! Art March as well as holiday sales take over this city all year long, so there are great chances to sell work here. If I had any advice for an emerging clay artist who wants to become a full-time artist, I would tell them to participate in local shows–be a part of the craft and clay community, and let people know you are making awesome work. Photograph your work and have it online, not only to sell, but on social media so that people will find you.
For More, Visit:
http://www.artistinthemarsh.com/
http://www.savannahclaycommunity.com/rebecca-sipper.html
​Rebecca on Facebook and Instagram
2 Comments
Claudia
9/6/2016 07:28:12 am

Wonderful to have an in depth view of the lovely Rebecca! I enjoy the "history" of the beginning of the journey...it adds another lens to the appreciate and enjoy her work.

Reply
Jery link
1/6/2021 12:16:49 pm

Good bless

Reply



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  • Home
  • About
  • Membership
  • EXHIBITIONS
    • Sip: A Ceramic Cup Show 2022 >
      • Opening Reception
    • SIP: A Ceramic Cup Show 2021 >
      • SIP 2021 Reception
    • Sip: A Ceramic Cup Show 2020 >
      • Receptions
    • SIP 2017 >
      • SIP 2017 Opening Night
      • Sip 2017 Closing night
    • SIP: A Ceramic Cup Show 2016 >
      • OPENING NIGHT
      • CLOSING RECEPTION
    • Savannah Clay 2019
    • SAVANNAH CLAY 2015
  • Artists
    • Eliot Joanna Angell
    • Lesley Anton
    • Lisa Bradley
    • Jessica Broad
    • Eric Clark
    • Mitzi Davis
    • Gayle Fichtinger
    • John Jensen
    • Heather Knight
    • Jillian Luse
    • Colette Oliver
    • Yves Paquette
    • David Peterson
    • Stephanie Sanders
    • Rebecca Sipper
    • Trang Vu
    • Nancy Waterhouse
    • Harriet Zabusky-Zand
  • RESOURCES
    • SHIPPING CUPS FOR SIP
    • Interviews
    • Articles
    • Calendar
    • News
    • Learn
    • Local Galleries
    • ARTIST ESSENTIALS